g-signs #6:
so how would the museums and art of the future look like after the biological revolution? ^
on 3rd September 2010, the sixth generation of "growing signs" grew up again, mutated to more diverse physiques and infected Palais de Tokyo with its pieces in Paris.
Last evolution was determined by the ideas of future interaction of created living objects with other living exemplars. Should the living artworks exist alone or will they be free and dare to contact each other?
creeping into "sans titre" of Alan Glass:
penetrating "sans titre" of Richard Baquié:
Brazilian artist Eliane Paulino, continued her own "g-signs" and participated in project with new bioism creature riding on "Carrousel" of Jean Dupuy:
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