g-signs #4:
so how will the museums and art of the future look like after the biological revolution? ^
on Friday, 13 November 2009, the fourth generation of "growing signs" grew up again, mutated to much more complex physique and infected Tate Britain & Tate Modern in London.
Their epidemic evolution was determined by the "unlucky", "Witches' Sabbath" date: the wish of responding to paraskevidekatriaphobical superstitions lead them to obtain black and red colors and more solid centers of their bodies.
London
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Tate Britain
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Tate Britain |
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Tate Modern |
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Tate Modern |
Brazilian artist Eliane Paulino, continued to developed her own vision of "g-signs" and created two new family members of bioism creatures:
London
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Tate Britain
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Tate Modern |
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