Aljoscha, bioism, biofuturism

g-signs #4:

so how will the museums and art of the future look like after the biological revolution? ^

on Friday, 13 November 2009, the fourth generation of "growing signs" grew up again, mutated to much more complex physique and infected Tate Britain & Tate Modern in London.
Their epidemic evolution was determined by the "unlucky", "Witches' Sabbath" date: the wish of responding to paraskevidekatriaphobical superstitions lead them to obtain black and red colors and more solid centers of their bodies.

Aljoscha, bioism, biofuturism



London

Aljoscha, bioism, biofuturism

Tate Britain

Aljoscha, bioism, biofuturism

Tate Britain
Aljoscha, bioism, biofuturism

Tate Modern
Aljoscha, bioism, biofuturism

Tate Modern
Brazilian artist Eliane Paulino, continued to developed her own vision of "g-signs" and created two new family members of bioism creatures:



Aljoscha, bioism, biofuturism



London

Aljoscha, bioism, biofuturism

Tate Britain

Aljoscha, bioism, biofuturism

Tate Modern